iArt Gallery Wembley: A Project Room for Contemporary Art

Alastair Whitton: Patmos and the War at Sea

29 September - 6 November 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

First shown at David Krut Projects, Johannesburg and rated as one of the best three exhibitions of 2009 by The Sunday Independent, Alastair Whitton’s Patmos and the War at Sea will be shown in Cape Town at iArt Gallery Wembley: A Project Room for Contemporary Art in October 2010. Arts writer Mary Corrigall has described the body of work as a series of “astute statements…about the relationship between language and imagery that challenge our expectations of photography.”

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Marlise Keith: Blight

1 - 25 September 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

In her latest body of work, Blight, Marlise Keith is concerned with the ways in which we use and live with “nourishing” metaphors.

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Sandra Hanekom: Sondeval

4 – 28 August 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

Sondeval, Sandra Hanekom’s most recent body of work, is at its core a conflation of two things. On the one hand, it can be regarded as a significantly emotional reaction against old-school “fire and brimstone” Christianity of the kind preached during her childhood. However, it is simultaneously a homage to Christian art of the 15th, 16th and 17th centuries.

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Gerald Tabata: iDiski

JUNE/JULY 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

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Audrey Anderson: The best thing since spilt milk

5 - 29 May 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

Conceptualised as a walk-in graphic novel, The best thing since spilt milk takes as its narrative core that things that are really bad for you can also be very good for you and vice versa.

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Madelein Marincowitz: Collective Memory

7 - 30 April 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

In this body of work, Madelein Marincowitz explores objects passed down through generations of her family. However, dislocated from their original contexts the objects operate as mnemonic devices for a collective melancholy nostalgia.

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Liza Grobler: Visitor (The Square)

12 March - 3 April 2010

iArt Gallery Wembley: A Project Room for Contemporary Art
iArt Gallery, 71 Loop Street

For Visitor (The Square), Grobler has made a selection from Visitor at the Irma Stern Museum in 2009. As most of the work is context specific, the new venue will re-define the visual dialogue.

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Colijn Strydom: Poppies in October

2009; acrylic ink on paper

27 January – 24 February 2010

iArt Gallery Wembley: A Project Room for Contemporary Art

This exhibition consists of a collection of drawings by Colijn Strydom, inspired by the artist’s obsessive response to Sylvia Plath’s poem, “Poppies in October”.

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Walter Meyer: NEW WORK

Walter Meyer, Colesburg Scrapyard (1996)

2 December 2009 - 13 January 2010

iArt Gallery Wembley: A Project Room for Contemporary Art
Wembley Square, Gardens, Cape Town

This season, iArt Gallery Wembley will show ten paintings by Walter Meyer that have never before been shown.

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Theo Kleynhans - Fragment

11 - 27 November 2009

In this body of work, Theo Kleynhans explores the inter-relatedness of our shared experience on this planet by presenting fragments on the picture plane.

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if you go down to the subway today

30 October – 6 November 2009

Showing in a whistle-stop time frame at iArt Gallery Wembley, if you go down to the subway today is a collection of work that takes a brief, tongue-in-cheek look at the idea of the human animal.

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Colbert Mashile: Experience and the Scar

2 - 28 October 2009

iArt Gallery Wembley: A Project Room for Contemporary Art
Wembley Square, Gardens, Cape Town

This exhibition provides a retrospective view of Colbert Mashile’s work on paper, between 2004 and 2009.

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Matthew Hindley: Like, like, like, like a circus

3 - 23 September 2009

iArt Gallery Wembley: A Project Room for Contemporary Art
Wembley Square, Gardens, Cape Town

In this body of work Hindley responds to the influence of his time spent in Berlin. Read together, the paintings form a lilting, uneasy dialogue – a multi-faceted narrative that is as lyrical as it is unsettling.

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